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Someone At A Distance by Dorothy Whipple

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‘Someone At a Distance’ by Dorothy Whipple is the story of a young French girl called Louise Lanier. Born of hard-working, simple parents who have worked happily all their lives as small booksellers in the small French town of Amigny, they have never climbed high in the social ladder, much to the chagrin of their aspiring daughter. Based on this lack of pedigree, Louise is jilted by her secret, longtime sweetheart: the son of the town squire who decides to marry a woman from a reputed family instead. Broken-hearted, but refusing to show it, Louise escapes to England to serve as a companion to a wealthy, old lady called Mrs. North.

Mrs. North lives near to her son Avery, a prosperous publisher and his family, consisting of his wife Ellen, daughter Anne and son Hugh.

Avery North and his family have the perfect life. He is a devoted father. He is admired and respected in his publishing firm. He and his wife Ellen have a trusting, committed relationship. And then all of a sudden cool, calculated and beautiful Louise steps into their lives…

Louise needs to preoccupy her mind and at first is unsure of how to engage herself. Finding nothing better to do, she takes charge of old Mrs. North’s dressing, paying attention to every little detail of adornment. Mrs. North is charmed with the attention that the young French girl pays her and grows to care and depend on her.

Mrs. North gifts the French girl a diamond ring upon her return to France. But even Louise is surprised when Mrs. North leaves a considerable amount of money to Louise in her will.

Louise returns to England to claim the bequest for herself. Unwillingly, Avery and Ellen North let her into their perfect home but Louise shows no signs of leaving. She is jealous of the Norths’ happiness, of the love they share in their small family and she is determined to ruin it.

When Ellen discovers the affair that is going on in the very same house that she lives in, she is shell shocked. It seems impossible to her that her devoted, loving husband could forsake all that he holds dear, to be with a callous, cruel young woman.

In her moment of strife she looks towards religion but can find no comfort.

“All those books, all those prayers and she had got nothing from them. When everything went well for her she had been able to pray, she couldn’t now. There was such urgency in her present situation that until the pressure was removed she couldn’t think about God. She hadn’t the patience to pray. It was a shock to her. Surely God was for these times?”

Avery does not return to her. Ellen regards his desertion as a sign of his love for Louise but nothing could be further from the truth. He despises Louise and takes to drink to drown his sorrows and to forget that he has lost everything that he holds dear.

He marries Louise out of his need to cling to someone and Louise holds onto him for financial gain.

Ultimately it is a situation where no-one is happy. Is there retribution for Louise? Are Avery and Ellen able to reconcile their differences? I will leave you to find out.

The book is a story about adultery. It is a story about a husband’s weakness, a wife’s short-sightedness and a young, ambitious girl’s yearning to rise up from her provincial upbringing and to destroy the happiness of others. But the book is more than the sum total of these individual parts and the title reveals this.

The title ‘Someone At a Distance’ is a curious one. It is only towards the latter part of the novel that the significance of the title emerges and one realizes it has been used with much thought.

The title deals with the idea that a person’s negative actions and thoughts can have a far-reaching consequence on the lives of people far removed from them. It is like a ripple effect. A strong undercurrent of ill-will may wreak havoc on the hitherto peaceful lives of people on distant shores. Such is the inter-connectedness of the world and its people.

This is a beautiful book. I read it in one breath. It was virtually unputdownable. Whipple’s storytelling is superlative. The psychological tension she develops in taut situations can be felt acutely. When Ellen grieves in the aftermath of her husband’s desertion, which has been dealt to her out of no wrong-doing of her own, we grieve along with her. We feel and comprehend her every emotion. We sympathize with her and we yearn for her strength and salvation. On the opposite side of the spectrum we despise Louise’s every movement and intention. And we hope and pray for some kind of justice. Whipple manipulates our emotional well-being, during the reading of the novel to good effect and delivers yet another stellar story.

 

The Constant Nymph by Margaret Kennedy

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This review of Margaret  Kennedy’s ‘The Constant Nymph’ is in celebration of Margaret Kennedy Day, hosted by Jane from Beyond Eden Rock’s Blog.

The Constant Nymph is Kennedy’s most celebrated novel. Published after the First World War, in 1924, it was met with much critical acclaim. It is certainly a well written novel and the storyline is smooth without any stops and gaps. The subject matter is a little sensitive but quite intelligently written.

The story for the most part is set in Austria, in the Tyrolean Alps and I must say that the setting was one of my most favourite things about the book. It tells the story of the Sanger family. The father, the avant-grade composer Albert Sanger, is an unusual man. A gifted but not very successful English composer he has spent most of his life in exile, inhabiting various European towns and cities and simultaneously acquiring a large host of wives, mistresses and children.

Sanger, finally settles down in a remote chalet, high up in the Tyrolean Alps, in a location that can be accessed only by train, boat and a steep climb. Here, he lives with his slovenly mistress and seven children in a lively cohort frequently referred to as ‘Sanger’s circus’. Many of Sanger’s artistic friends, mostly bohemian in temperament, visit and stay with the family.

One of them is the talented composer Lewis Dodd, a young man who is a regular visitor and is so well loved by the family that he almost seems part of it. In particular Lewis and fourteen year old Teresa have a very close relationship. Teresa worships Lewis and Lewis is very tender and loving towards Teresa.

 She was guided by the constant simplicity of her young heart. He was himself the only man who could ever betray it and she had been his, had he known it, as long as she could remember. Her love was as natural and necessary to her as the breath she drew…

The family is considerably disturbed when Sanger quite suddenly dies. The orphaned children look towards their maternal relations for support and are sent to English boarding schools, much to their disgust. Prior to their dismissal, a maternal cousin, Florence visits them up on the alm. Beautiful, sophisticated and well educated, she beguiles Lewis and the two of them decide to marry after a quite short courtship. Teresa, heartbroken, watches as Lewis is swept off his feet.

In England, Florence and Lewis settle down to married life which Lewis quite quickly finds very stifling. He realizes the mistake that he has made and looks again to fifteen year old Teresa, for comfort. Constant in her love for him, Teresa must choose between the calling of her heart and her moral obligation towards her cousin.

One cannot but help draw mental comparisons between Nabokov’s ‘Lolita’ and Kennedy’s ‘The Constant Nymph’. I will not say more, but I do believe that Kennedy has dealt with a very sensitive topic with great skill.

I find the love triangle at the heart of the novel to be quite unique. The different people in the novel have quite unusual, unconventional relationship dynamics amongst themselves. Teresa’s love for Lewis can be likened to that of a teenage infatuation but what makes it unusual is that it remains quite strong and that it is equally reciprocated by Lewis.

 

Lewis and Florence have an unusual relationship as well. Lewis is mesmerized by Florence’s beauty and sophisticated demeanour and Florence is drawn to his passion and talent for music. Lewis holds great power over Florence and knows it all too well.

The story I think is quite modern. Nearly a century later, the bohemian lifestyle of the Sangers’ seems quite unconventional  to say the least.

There are frequent references to the importance of the need of formal education in a person’s life. Though Kennedy advocates it, she also shows us that it is not a requisite for forming a moral sense of right and wrong and steadfastness of character.

I find the title to be quite curious. When I look up the exact definition of nymph in the dictionary it refers to ‘a mythological spirit of nature imagined as a beautiful maiden inhabiting rivers, woods, or other locations’. As I ponder over the meaning I realize that the title is so very apt.

The beauty and spirit of this book lies in the Tyrolean chapters, where the children roamed free and uninhibited in the bosom of nature. Teresa, whilst described as being far from beautiful by Kennedy, is always described in the most loving terms by Lewis. Teresa’s constancy of heart can be witnessed at every step of the story, proving to us that this  blessed trait can be found in the very young too. It is a valuable lesson to be reminded of.

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No Comfort at Cold Comfort Farm

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This was my second experience with reading Stella Gibbons, the first book being Nightingale Wood.

Nightingale Wood had enchanted me. It was such a romantic, Cinderella-like story and so intelligently written. I was naturally very eager to read more Gibbons and so all my bookish friends recommended ‘Cold Comfort Farm’ to me. I expected the same soft, dulcet toned storyline but I was quite surprised with the strangeness of Cold Comfort Farm.

It was cold, there was no comfort and it was extremely raw.

If I were to describe Cold Comfort Farm in a single word, suitable descriptions might be: parody, satire and melodrama.

The story centres around the adventures of city-bred, sophisticated Flora Poste. Born of affluent parents and blessed with a sound education, Flora finds herself orphaned in her twentieth year, when both her parents die during the annual epidemic of Spanish flu. Her parents leave her penniless except for a small annual income of one hundred pounds. Flora though highly educated is completely uneducated in the ways of the world and means to earn a living.

She is full of ideas though, which she propounds to her friend Mrs Smiling. One of them is to unburden herself onto one of her distant relatives. There are several options: a Scottish bachelor cousin of her Fathers, a maternal aunt who breeds dogs in Worthing, a female cousin of her Mothers who lives in Kensington, and a motley band of relatives who live on a decaying farm in the depths of rural Sussex.

The only positive invitation arrives from the depths of rural Sussex. Flora trying to put a positive outlook on the rather bleak prospect of ‘Cold Comfort Farm’ comments to her friend Mrs Smiling:

“Well, when I am fifty-three or so I would like to write a novel as good as Persuasion but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say, ‘Collecting material’. No one can object to that.”

“You have the most revolting Florence Nightingale complex,’ said Mrs. Smiling.

It is not that at all, and well you know it. On the whole, I dislike my fellow beings; I find them so difficult to understand. But I have a tidy mind and untidy lives irritate me. Also, they are uncivilized.”

Flora bundles up her Florence Nightingale complex and heads to the farm on a mission to resurrect the fortunes of the farm and the lives of her rustic relatives. She feels excited to embark on this unknown rural adventure.

“On the whole, Cold Comfort was not without its promise of mystery and excitement.”

On arrival at the farm, she finds that the Starkadders are a strange cast of characters, each more unusual than the last.

There is the aged matriarch of the family: Aunt Ada Doom. She could not have been more aptly named. Continually haunted by memories of a traumatic event from her childhood she is wont to say, in times of trauma,

“I saw something nasty in the woodshed.”

We are not privy to the nature of the nastiness in the woodshed but Aunt Ada certainly knows how to use this proclamation to her own benefit. Whenever, any of the Starkadders threaten to leave Cold Comfort she goes into a frenzy of hysteria and recalls past memories of the woodshed.

Another character is Ada’s daughter Judith Starkadder, married to Amos. Judith, perpetually depressed, just wants to be left to wallow in her own misery. Her son Seth, a prime example of manhood is the apple of her eye and her daughter Elfine, a free wandering spirit seems to have slipped out of a scene from  Wuthering Heights.

There is sad Reuben, Adam the helping hand on the farm who washes the dishes with a twig and last but not least a bevy of unfortunate cattle, aptly named Feckless, Graceless, Aimless, Pointless and Big  Business. All these characters, suffused with the heady aroma of the profusely growing sukebind, a sign of fertility and growth, make for the dramatic cast of characters that render Cold Comfort Farm so memorable.

Of course there are extraneous characters: like the author Mr Mybug who add even more variety to the story:

“The trouble about Mr Mybug was that ordinary subjects, which are not usually associated with sex even by our best minds, did suggest sex to Mr Mybug, and he pointed them out and made comparisons and asked Flora what she thought about it all.”

The story is based on how and if Flora can change the course of the lives of each of the members of the Starkadder clan.

Fraught with extreme melodrama, comedic moments, strange situations and very memorable one-liners it is a very unusual book. Not at all what I was expecting. Very, very strange but so very memorable.

Barchester Towers and a Spot of #Trolloping

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It all started with Barbara Pym.

You might ask: what relation does Barbara Pym have to Anthony Trollope? You would be right in asking the question.

A few years ago, I read Excellent Women by Pym and immediately fell in love with her style of writing. On discovering she had not written many books, the research scholar in me decided to find ‘Pym-esque’ authors.

The search uncovered Angela Thirkell- described by Alexander McCall Smith as:

“perhaps the most Pym-like of any twentieth-century author, after Barbara Pym herself, of course.”

The setting of Thirkell’s novels, in the rural setting of provincial England, a fictitious place called Barsetshire made me aware of that county’s close relation- the original Barchester of Trollope’s novels.

To put a long story short, I came to Anthony Trollope quite by accident and in a roundabout way but I am very glad that this happy accident occurred.

I purchased the whole gamut of books that comprise the Chronicles of Barchester series and announced my intentions on Bookstagram (Instagram for Book Lovers). I was met with an overwhelming enthusiasm from Bookstagram friends and the Trollope Club (Just a Bunch of Trollopes) was born and along with it much discussion and merriment. We have a hashtag (#trolloping) and are currently reading our third book, Dt Thorne in July 2016.

But now to Barchester Towers, the book, itself.

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Barchester Towers takes us back to the hallowed precincts of the cathedral town of Barchester a few years after where ‘The Warden’ left off.

The position of Warden at Hiram’s Hospital is still unoccupied, the Bishop of Barchester is on his deathbed and John Bold has left for his heavenly abode.

In short, these three facts set up the series of events that form the majority of the plot of Barchester Towers.

Even before the Bishop has expired, several people are plotting to steal the Bishopric for themselves, even the Bishop’s son-the Archdeacon, Dr Grantly.

The bishopric falls into the hands of a Dr Proudie: a man in good standing with men in high positions in the government and incidentally endowed with an amazon of a wife. Mrs Proudie not only holds the strings of her household in her able hands, she also has first say in all matters related to her husband’s affairs, much to the chagrin of the clergy in Barchester. To add insult to injury, Bishop Proudie’s obnoxious chaplain, Mr Slope, decides to subject his parishioners to a lengthy lecture on various religious matters during his first sermon.

The clergy of Barchester, particularly Archdeacon Grantly, are up in arms against Mr Slope and Bishop Proudie and their combined reforms. Several members of clergy are called back to their religious duties in Barchester. One of them. Dr Stanhope has to return from the idyllic shores of Lake Como to take up his duties in his parish. The Stanhope family and their contingent of exotic characters bring a touch of foreign excitement to the goings-on in Barchester, particularly Dr Stanhope’s married, crippled, seductive daughter who takes up the title of Signora. Her brother, the lazy, good for nothing but charming Bertie Stanhope is looking for an easy way to relieve his debts.

He sets his cap at Eleanor Bold, who has been widowed for over a year due to the untimely demise of John Bold who was introduced to us in The Warden. Eleanor has quite a substantial annual income and though she can live quite comfortably with her infant son and sister-in-law, this income unfortunately enables her to fall prey to several bachelors who are looking for an easy way to acquire money.

Two bachelors, Bertie Stanhope and the slippery Mr Slope woo her to achieve their own ends- financial gain. A third- A Mr Arabin, a clergyman placed newly in charge of the small parish of St Ewolds, a great favourite of Archdeacon Grantly and rival of Mr Slope is also added to the mix and we have the recipe for great entertainment and drama.

However, Barchester Towers is more than just an elaborate marriage plot. We are introduced to a large cast of captivating characters, each with their own very distinct characteristics. For me the highlight of the story was the introduction to the excellent host of characters.

Trollope uses a very unusual form of narrative whilst telling the story. Frequent authorial intrusion led to the disruption of the otherwise smooth narration. However, the dialogue between author and reader led to several instances of comedic comment from Trollope. He also frequently tried to manipulate the reader to adopt his way of thinking. I cannot think of any other novel where I have witnessed so many authorial asides and interjections.

Without giving too much away, we have a very satisfying conclusion to the story, leading me to agree with the author that

“There is no happiness in love, except at the end of an English novel.”

 

Backstabbing, politics, humour, romance, conversation and  Victorian social etiquette combine very effectively  in this most excellent of novels, Barchester Towers.

I wonder, what will come next in the saga?

Miss Pettigrew Lives for a Day by Winifred Watson

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I always wanted to taste whiskey,’ said Miss Pettigrew happily. I’ve never had it, ever, even when I’ve had a cold, as medicine.’

‘Where were you brought up?’ commiserated Michael.

‘Sip it slowly,’ begged Miss LaFosse.

‘Bottoms up,’ said Michael.

Miss Pettigrew sipped. She pulled a face. She slipped her class surreptitiously on the table.

‘Ugh!’ thought Miss Pettigrew, disappointed. Not what it’s cracked up to be. Why men waste money getting drunk on that, when they can get a really cheap palatable drink like lemon squash …!’

 

Laughing and thinking about this passage from Winifred Watson’s memorable novel ‘Miss Pettigrew Lives for a Day’ (1938).

I am reviewing this book as part of the #1938club, initiated by Simon David Thomas of Stuck in a Book and Karen of Kaggsy’s Bookish Ramblings. To take a look at other books published in the same year, reviewed by other bloggers, please take a look at this blogpost and this one.

 

This Persephone Classic, recounts the events of the most remarkable day in the life of Miss Guinevere Pettigrew.  The day starts quite drearily with Miss Pettigrew desperately seeking a job to avoid being thrown out of her abode. Miss Pettigrew is mistakenly sent by the employment agency, to the apartment of young singer and aspiring actress Miss Delysia LaFosse.  Miss Pettigrew thinks she is applying for the post of a governess and Delysia requires a maid to keep her affairs in order.

In the misunderstanding that ensues, Miss Pettigrew exhibits immense presence of mind and efficiency in helping Miss La Fosse out of several scrapes, most of which involve young men. Miss Pettigrew is called upon to save Delysia from several precarious situations. She lies for the first time in her life, is called upon to show some acting skills (something she had not known that she had within her!) and also drink and socialize with Delysia’s group of friends.

For the first time in her life Miss Pettigrew feels needed, loved and competent. She undergoes a metamorphosis so dramatic and sudden that by the end of the day she is hardly the same person who had timidly knocked upon Mis LaFosse’s front door. It is a day that changes Miss Pettigrew’s life and the lives of several people she touches, forever.

Charming and funny and tinged with the naïveté of Miss Pettigrew’s unimpeachable character, it is a story that is laced with the wistfulness and regret of missed chances and opportunities of forgotten youth. However, there is great hopefulness in the novel. Miss Pettigrew reminds me in little subtle ways of Anne in Jane Austen’s Persuasion and she has the matchmaking tendencies of Austen’s Emma, only she is far wiser and manages situations much better.

Miss Pettigrew Lives For A Day is a charming novel. It is book that will invoke giggles. I will most certainly be reaching out for it in a couple of years for a re-read.

January, 2016 Wrap Up

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Here is a round up of book related favourites for the month of January, 2016. For a glimpse into December, 2015’s Bookish Favourites please see here.

1. Books

 I read a total of seven books in January. I read mostly from the modern classics genre and successfully ticked off two titles from my list of 12 New Authors I Would Like to Read in 2016 (that made me feel very good!). I enjoyed all these books so much, especially The Diary of A Provincial Lady and A Month in the Country.

1) Britannia Mews by Margery Sharp

I realised I posted about this book in December but didn’t manage to finish it till January. I reviewed this book as part of Margery Sharp Day hosted by Jane from the lovely blog Beyond Eden Rock.

Britannia Mews is a book that describes the life and times of the central character of Adelaide Culver, a child of privileged circumstances, living in one of the row of houses along London’s Albion Place. Adjacent to Albion Place, stands Britannia Mews, once a stable, housing the horses used by the genteel folk living in Albion Place but now reduced to a slum at the turn of the nineteenth century.

Set in the late nineteenth century, Victorian London is portrayed at the intersection of where the rich meet the poor.  Adelaide Culver, marries her struggling art tutor and thereby goes to live in the slums of Britannia Mews. This is the story of what happens to a girl who has bravely broken away from the family shelter into a life of domestic strife and hardship. I enjoyed Margery Sharp’s excellent writing, descriptive and laced with subtle wit and wisdom. For a full review please see here.

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2) Our Spoons Came From Woolworths by Barbara Comyns

Our Spoons Came from Woolworths is the story of twenty-one year old Sophia, during the time when she was married to Charles Fairclough. The story is in its entirety, a first person narrative and tells of the harrowing poverty, the ups and downs of the young couple, in a time during which Charles refuses to take any financial responsibility for his household, using his need to practice his art as an excuse to shirk his duties. This was an exceptional book! For a full review please see here.

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3) A Tale of Two Families by Dodie Smith

A Tale of Two Families by Dodie Smith is the story of the relationship between two families: those of May and June, two sisters, who marry two brothers, George and Robert. When May and George decide to relocate to the countryside for a few years, on a landed estate with a small cottage, it seems the most natural thing for June and Robert to leave their father’s house and set up home in the cottage on May and George’s leased estate. Robert, a skilled but lesser known writer plans on writing his magnum opus in the idyllic surrounds of the cottage. June is happy to be carefree and close to her sister. Robert and George’s father, Baggy, comes to stay with George’s family. May and June’s delightful mother, Fran, decides to stay with her two daughters for a while. The children in the family come upto the property on weekends, from London or the boarding schools they go to and a good time is had by all in the family. Then the close proximity leads to unforeseen events…

For a full review please see here.

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4) A Month in the Country by JL Carr

A Month in the Country by JL Carr is the story of war veteran Tom Birkin and the unforgettable summer he spends in the country, uncovering and restoring a medieval wall mural inside an old country church. It is a journey of discovery for Tom Birkin, both in regards to his work and rediscovery of self after the trauma and ravages of his war experiences. This was a charming, poignant novel. I felt that the narrative was a little uneven, which made it a bit of a slower read, but on the whole the story was so wonderful and evocative that I can’t help but look back upon it, with starlight in my eyes.

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5) The Diary of a Provincial Lady by EM Delafield

This was my favourite book this month and it really made laugh. The diary entries are so self deprecatory and certain incidents so cringe-worthy, they make great reading.

6) Mystery at Saint-Hilaire by Priscilla Hagon (Mabel Esther Allan)

I don’t remember how I came upon this book or the author but I was lucky enough to find a copy at my library. I’m glad I did. It read exactly like a grown-up Enid Blyton book so if you are a Blyton fan, this is a book for you.

7) Miss Pettigrew Lives for a Day by Winifred Watson

This was another favourite book this month. Quite funny, with several quotable, witty, one liners, this tells of a day in the life of staid, middle aged Miss Pettigrew. It is a day of astonishing unexpected events that transform Miss Pettigrew’s mind and outlook on life for ever.

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2. Movies and Audiobooks

The only movie I watched this month was the BBC adaptation of Tess of the D’Urbervilles (screenplay by David Nicholls) and it was soooo good! It really made me want to pick up the book and read it. I listened to the BBC full cast adaptation of Agatha Christie’s The Sittaford Mystery. I do enjoy these full cast dramatizations: it almost feels like going to the theatre.

3. Miscellany

I bought so many books this month. Most of them were bought with Christmas money or were gifts to myself to revive my dwindling library. I hope to enjoy and read them over the next couple of years. Here is a picture of the books!

I hope you all had a great month of reading. I have several library books to get through in February which I am excited to share. Do have a great month!

Britannia Mews by Margery Sharp

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This review is written in celebration of Margery Sharp’s birthday on January 25th, 2016. I would like to thank Jane from Beyond Eden Rock for encouraging us to celebrate the life and works of a wonderful author, most of whose works remain difficult to find.

‘Britannia Mews’ is a book that describes the life and times of the central character of Adelaide Culver, a child of privileged circumstances, living in one of the row of houses along London’s Albion Place. Adjacent to Albion Place, stands Britannia Mews, once a stable, housing the horses used by the genteel folk living in Albion Place but now reduced to a slum at the turn of the nineteenth century.

Adelaide falls in love with her art teacher and aspiring artist, Henry Lambert and throwing all caution to the winds, elopes with him, to live a life of severely reduced circumstances and drudgery in a small house in Britannia Mews. In the beginning, Adelaide is happy with her new found independence, the novelty of keeping her tiny house spick and span and the belief that Henry will make a name for himself in art circles.  Slowly, however, she is resigned to the fact that Henry is a drunk, with no ambition in life and has married her for no reason other than a desire to get by on Adelaide’s annual income.

When Henry Lambert falls to his death from the steps of his Mews house due to accidental circumstances, Adelaide believes she has been released from the prison that she has created for herself in Britannia Mews. She longs to go back to her parental house in the countryside. However, a devious neighbor has witnessed the slight push that Adelaide gave her husband that accidentally led to his death. This results in blackmail: the neighbour forces Adelaide to pay her ten shillings a week and compels her to stay on in the Mews.

Then as time passes on and Adelaide’s life seems very bleak she discovers real love in the most unexpected way. The strength of this attachment (with a man named Gilbert) gives her the strength to forsake everything and everyone else in her life. Adelaide and Gilbert create a Puppet Theatre in the Mew’s stables and this eventually leads to the upliftment of Britannia Mews and several of its residents. The birth of the famous Puppet Theatre leads to the gentrification of Britannia Mews. Adelaide’s success leads to great empowerment; Adelaide is envisioned as a strong inspiring woman by subsequent generations. The Theatre brings employment to several individuals and much needed entertainment to innumerable people, especially during the dark, dreary times of the Second World War. The story is brought full circle when Adelaide inspires her niece to forsake her life of comfort and luxury in rural suburbia and live a life of artistic endeavor and adventure in running the Puppet Theatre in Britannia Mews.

Set in the late nineteenth century and leading into the years spanning the Second World War, Britannia Mews is a story spanning several generations and several important world events.

The attitudes and affectations of Victorian London are very much at variance with those of subsequent times and these are highlighted in the different characters of the story.

The book focuses on the intersection of where the rich meet the poor, the difference in living conditions of the two factions, the snobbery of the upper class, the raucousness of the underbelly of London society and the dissolution of these classes with the onset of the Second World War.

Women are portrayed in strong, influential roles. They marry to please themselves, not to gratify society. Convention is severely flouted in the book ‘Britannia Mews’.

It is an astonishing novel on many levels and depicts a slice of English history that is multifaceted and rich in detail. I’ve enjoyed reading a Margery Sharp novel that is a little different from the other books I have read, but quite, quite lovely!

Martha, Eric and George by Margery Sharp

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This review is written in celebration of Margery Sharp’s birthday on January 25th, 2016. I would like to thank Jane from Beyond Eden Rock for encouraging us to celebrate the life and works of a wonderful author, most of whose works remain difficult to find.

‘Martha, Eric and George’ is the third book in the Martha trilogy written by Margery Sharp. For reviews of the first two book in the series, please see here and here.

If ‘The Eye of Love’ was a lively entree into this delightful trilogy, ‘Martha in Paris’ was a deliciously light and entertaining prelude to the substantial finale of the drama- ‘Martha, Eric and George’, surrounding the central character of Martha.

The child Martha, her stolid personality, her large appetite, her obsession with drawing and sketching, even in the most trying circumstances amuses us in the book ‘The Eye of Love’.

In ‘Martha in Paris’ Martha due to her benefactor, Mr Joyce’s encouragement, accepts an opportunity to study art under a master-class artist in Paris. In Paris, she meets Eric, an English bank employee, and the two embark on a relationship of sorts, brought about under the most peculiar circumstances!

Martha’s plans to seriously continue her artistic studies are seriously thwarted, however, when she discovers that she is carrying Eric’s child. ‘Martha in Paris’, memorably concludes when Martha deposits her newborn son (unknown to Eric) on the doorstep of Eric’s Parisian apartment.

‘Martha, Eric and George’ starts when the baby is discovered by Madame Leclerc, the concierge of the apartment buildings that Eric and his mother reside in. In all her thirty years of being concierge at the building, this incident, perhaps, tops it all.

…she hadn’t meant to be defrauded of the most exciting incident in all her thirty years as concierge. There had once been a suicide on the Fifth, a burglary on the Third; in each case Madame Leclerc gave evidence, for so respectable a house it wasn’t bad, but neither episode could touch, for drama and human interest, the act of placing within the arms of a serious young man his illegitimate offspring.

Eric is astonished to discover that he is a father.

His single pertinent thought was still classic. “Oh God,” thought Eric Taylor,”why did this happen to me?”

Bewildered, Eric unburdens his offspring into his Mother’s arms, who is delighted to find that she is a grandmother.

Meanwhile, Martha escapes to England and starts practicing her art in earnest. In the next ten years she develops a reputation as a formidable artist. She does not think of her son during this time. Eric, is unable to track down Martha due to lack of a forwarding address. When an opportunity to exhibit her work in Paris arises, ten years later, she is  reminded that somewhere in Paris, she has a son.

There is a remarkable section in the book that describes the meeting of Martha, Eric and George in a Parisian coffee shop. One can only imagine the repercussions of such a meeting. One would imagine a mother to be visibly moved upon meeting her son, perhaps her heart might be softened upon seeing her offspring… one can never be sure, especially with Margery Sharp’s excellent storytelling.

Without giving too much away, I will leave it to you to find out what happens next…

Eric, Martha and George deals with several feminist issues: those of a woman or mother’s expected role in society. Indeed, it challenges those societal norms. We are encouraged to think sometimes, why should a man too, not be expected to play a nurturing role, outside that of merely supplying monetary sustenance to a child?

This is a clever book. One which kept me and keeps me thinking about it.

A Tale of Two Families by Dodie Smith

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  • Title: A Tale of Two Families
  • Author: Dodie Smith
  • Published: 1970
  • Location of the story: rural England

‘A Tale of Two Families’ by Dodie Smith is the story of the relationship between two families: those of May and June, two sisters, who marry two brothers, George and Robert. When May and George decide to relocate to the countryside for a few years, on a landed estate with a small cottage, it seems the most natural thing for June and Robert to leave their father’s house and set up home in the cottage on May and George’s leased estate. Robert, a skilled but lesser known writer plans on writing his magnum opus in the idyllic surrounds of the cottage. June is happy to be carefree and close to her sister. Robert and George’s father, Baggy, comes to stay with George’s family. May and June’s delightful mother, Fran, decides to stay with her two daughters for a while. The children in the family come upto the property on weekends, from London or the boarding schools they go to and a good time is had by all in the family. Then the close proximity leads to unforeseen events…

The reason for the move is in one way precipitated by May’s need to distance herself from George’s philandering ways in London. George, is a successful businessman in London. He commutes to his workplace by the train. The two sets of adults in the family along with Baggy, settle into a routine. George leaves early in the morning. May, ever the dutiful wife, gives him an early breakfast and he pops off to work on the train. May is busy with various household activities during the day. Robert, potters about the garden and keeps planning his novel in his attic study in the cottage. June is blissfully happy to be in the countryside, so near her sister and George. Quite disturbingly, we learn of June’s secret infatuation for George, a fact that she conceals quite well. George, returns home from work every evening laden with gifts for household members. The couples frequently dine together or George visits the cottage to watch television together in the evenings.

Baggy, the boys’ father feels a little isolated in his small wing of the house. Despite the fine food and company, he misses his home in London, which he had shared with Robert and June. Though May, spoils everyone with her beautifully cooked meals, she lacks the warmth that June had. Baggy also misses his old routine, nightly soaks in his bathtub with his granddaughter’s bath toys! This loneliness is somewhat abated when Fran, the girl’s mother comes to visit. Though Fran Graham is in her seventies she retains her youthfulness, both in spirit and in appearance. When she arrives at the country house by  a taxi, she is mistaken for a young girl by her grandchildren and Baggy.

‘Hello, here’s a taxi. Some girl appears to be arriving.’

Dickon, joining him said, ‘That’s no girl. That’s my grandmother.’

‘Fran does have a girlish figure,’said Prue, then raced after Dickon who was already on his way to the front door.

The family group is complete and a period of great contentment sets in. The lilac bushes on the estate are in full bloom. Nightingales can be heard in the dead of the night.

‘Heavens, how lucky we are,’ said June. ‘Lilac and a nightingale! And there’s a marvelous laburnum coming out near the cottage- and a may tree.’

‘”The lilac, the laburnum and the may”,’ said Robert.’I’m sure that’s a quotation…

They were back at the cottage now. Robert’s torch shone on a drift of cow parsley, left on the edge of the lawn.

‘”Where the cow parsley skirts the hawthorn hedge”,’said Fran.’And I do know who wrote that: Rossetti, the most loved poet of my girlhood.’

This idyllic period is disrupted when Fran’s sister, Aunt Mildred, or ‘Mildew’ as she is jokingly referred to, comes to stay. Aunt Mildred, creates a toxic environment within the household, owing to her childish ways and her overactive imagination which leads to events that have irrevocable consequences.

‘A Tale of Two Families’ arrested my attention till the last page. It had sublime, romantic moments filled with poetry and nature but it didn’t relapse into a completely cozy novel due to the great sexual tension, Dodie Smith developed in the novel.

It is a book I enjoyed reading and will, no doubt, re-read in the future. It is, to echo Dickens, a story about two families, in the best of times and worst of times.

Two poetry references in the book prompted the #poetrymatchart tag on Instagram. The first reference is to a poem by Charles Mackay, the second a poem by Dante Gabriel Rossetti.

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"I have lived and I have loved; 
I have waked and I have slept; 
I have sung and I have danced; 
I have smiled and I have wept; 
I have won and wasted treasure; 
I have had my fill of pleasure; 
And all these things were weariness, 
And some of them were dreariness;– And all these things, but two things, 
Were emptiness and pain: 
And Love–it was the best of them; 
And Sleep–worth all the rest of them, 
Worth everything but Love to my spirit and my brain. 
But still my friend, O Slumber, 
Till my days complete their number, 
For Love shall never, never return to me again!" by Charles Mackay Painting – The Long Sleep by Briton Riviere. Last night, while reading Dodie Smith's 'A Tale of Two Families' I came across a reference to this wonderful poem by Charles Mackay. Isn't it lovely?Another tag is being started- #poetrymatchart. I am tagging a few people whom I think might like to do or appreciate this tag. A very happy Monday to all!

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"Your hands lie open in the long fresh grass,– The finger-points look through like rosy blooms: Your eyes smile peace. The pasture gleams and glooms 'Neath billowing skies that scatter and amass. All round our nest, far as the eye can pass, Are golden kingcup-fields with silver edge Where the cow-parsley skirts the hawthorn-hedge. 'Tis visible silence, still as the hour-glass. Deep in the sun-searched growths the dragon-fly Hangs like a blue thread loosened from the sky:– So this wing'd hour is dropt to us from above. Oh! clasp we to our hearts, for deathless dower, This close-companioned inarticulate hour When twofold silence was the song of love." Silent Noon by Dante Gabriel Rossetti Painting by Alfred Sisley Meadow , 1875. #poetrymatchart I came across the reference to this nice poem in a book recently – A Tale of Two Families -by Dodie Smith. How lovely is the line 'Where the cow-parsley skirts the hawthorne-hedge' ? Wish everyone a happy Thursday!

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Introducing #bookmatchartwork – the pairing of a unifying theme in literature and art

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Today I am posting about two things I am very passionate about- books and paintings. So by incorporating a hashtag #bookmatchartwork I will be trying to pair two otherwise unrelated creative bodies of work. This Instagram post befriends Peter Mayle with Van Gogh- in the beautiful location of sunny Provence.